It's "a strong volume and potentially an excellent teaching text for those interested in exploring case studies in cultural heritage and representation", anthropologist Jamie Brandon concludes in his review of the book Claiming the Stones, Naming the Bones: Cultural Property and the Negotiation of National and Ethic Identity by Barkan, Elazar and Ronald Bush .
He writes that the book attempts to cross-cut multiple disciplines (including archaeology, physical anthropology, literature, cultural studies, ethnomusicology and museum studies) and offer perspectives regarding disputes over the definition and ownership of cultural properties.
This part of the review caught my eye
In the United States, Ross tells us, “to belong to a particular race is to possess copyright in that race; the right to turn a profit—or not—on the reputation credited to that race; the right to image the race in particular ways; the right to hold property, invest in, and profit from one’s racial “stock” (p. 260). Ross charts the struggle over these rights through efforts of African-Americans to challenge and control popular images of blackness.